There exists a rare group of artists who look more comfortable performing on stage or in front of a camera than they do in any other facet of life. There's a timeless rockstar aura around them, like they belong in the limelight. It’s a look, a confidence, a feeling…and Jax Fleming has it. 

Jax cut his teeth as singer, songwriter, and frontman in his first band, Atlas of the Dogs, who within a year released an album and played over 50 shows across the Midwest including performances at the iconic venue The Victory Theatre (1900 cap) and The Ford Center (10k cap). High Energy. All In. A vibe that went viral more than once garnering Jax over 4 million views and 30,000 followers on TikTok alone. But like many budding bands before them, the changing of times dissolved Atlas as its members transitioned from college-aged to the real world. 

For the Henderson, Kentucky-native, Altas was only chapter one as Jax had tasted the Big-Stage blood. After taking a year to rediscover what he wanted as a person and an artist, Jax went to work in the studio to make his most authentic music presented as a solo project under his real name under his real look: edgy, hot, and a little dark.

Signing his first label deal with Indiana-based Wally Opus Records, Jax and his team penned the next chapter of his musical journey in his debut single release about going all in on his dream and putting himself out there for the World to see…and judge, in the alt indie tune, “Superficial.” For Jax, this song is “shy, unpopular kid redemption” and within the first two weeks, it landed in over 1000 playlists and racked up over 25,000 plays on Spotify alone. Melding influences like Cage The Elephant, Tame Impala, and Glass Animals, Jax’s sound continued to develop in his second single “3am”,  a drunken tale of a lonely dream-chaser who found himself out again with no lover or friends to share the evening with. Set for an October 15th release by Indiana-based Wally Opus Records, the Henderson-based singer, songwriter, and frontman is back with his third single; a catchy, high-energy alt rock jam about locking in and then being pulled out of his creative flow; a sacred space dubbed, the “Twilight”.